Like so many children of the Blockbuster technology, the eclectic Miami rapper Denzel Curry, 27, grew up renting the identical film time and again. For Curry, it was Star Wars: Episode VI—Return of the Jedi. His father, who he immortalized in his 2019 anthem “Ricky,” put him on to Jedi. Once he did, Curry by no means wished to observe anything. “Luke Skywalker with the green lightsaber and shit,” he remembers pondering. “Oh, this shit is hard.” Eventually, Ricky needed to say, “man, watch another Star Wars movie!” Curry moved on to his all-time favourite, The Empire Strikes Back, and finally to your entire franchise, from the prequels to the modern-day TV sequence.
Curry’s present obsession? The Mandalorian. He loves the best way it echoes stuff like The Good, the Bad, and the Ugly or Lone Wolf and Cub. He notably favored the sequence’ second-season finale, which impressed his grandest video manufacturing but: “X-Wing.” At a time when movies usually get sidelined, the trippy visuals in “X-Wing” are wildly formidable, that includes Curry piloting a spacecraft round a spot he calls Komodo City. For music and sci-fi nerds alike, the video, launched alongside the “Extended Edition” of his newest album, Melt My Eyez See Your Future, is a uncommon deal with, and a stellar three minutes.
Before explaining the video’s origin, Curry kindly asks if I’m caught up with The Mandalorian—a respectful spoiler alert. Then he takes me again to his inner monologue whereas watching the present’s previous couple of minutes. “An X-wing shows up. And it’s like, ‘An X-wing? Great!’ And then I was thinking, ‘Wait a minute. There’s only one person that drives that shit. They ain’t gon’ do that shit.’ So you see somebody with a cloaked hoodie. … Then you see the glove and the green lightsaber, and it was like, ‘They did that shit! Oh shit!’”
The impression of Luke Skywalker showing for a deus ex machina hit his entire family laborious. His girlfriend began crying. Curry was impressed to sing. “The hook just came to me, naturally.” He croons it fortunately, “I don’t want a car, I want a X-wiiiing.” He thought, “This is what the rap game needs”—a hero “that don’t take no shit, that’s still fire, but at the same time is a force for good. That’s what inspired me to bring sci-fi into the music.”
Collaborating with producer David Wept, Curry labored on the video’s therapy, imagining the minute particulars and expanded universe of Komodo City. In the spirit of the unique Star Wars trilogy, he wished to make use of “real places, less CGI.” Still, he knew the funds could be a problem, so he squirreled away cash because it was coming in from exhibits and streams to splurge on the manufacturing.
Source: www.wired.com